Danish String Quartet
Among today’s many exceptional chamber music groups, the GRAMMY® nominated Danish String Quartet continuously asserts its preeminence. The Quartet’s playing reflects impeccable musicianship, sophisticated artistry, exquisite clarity of ensemble, and, above all, an expressivity inextricably bound to the music, from Haydn to Shostakovich to contemporary scores. Performances bring a rare musical spontaneity, giving audiences the sense of hearing even treasured canon repertoire as if for the first time, and exuding a palpable joy in music-making that have made them enormously in-demand on concert stages throughout the world. The recipient of many awards and prestigious appointments, including Musical America’s 2020 Ensemble of the Year and the Borletti-Buitoni Trust, the Danish String Quartet was named in 2013 as BBC Radio 3 New Generation Artists and appointed to the The Bowers Program (formerly CMS Two).
In 2021-2022, the Danish String Quartet introduce DOPPELGÄNGER, an ambitious 4-year international commissioning project. DOPPELGÄNGER pairs world premieres from four renowned composers—Bent Sørensen, Lotta Wennäkoski, Anna Thorvaldsdottir, and Thomas Adès—with four major works from the masterful chamber music repertoire of Schubert. Each season, the Danish String Quartet will perform a world premiere on a program with its doppelgänger—the Schubert quartet or quintet that inspired it—culminating in the premiere of a quintet by Adès, after the great String Quintet in C major.
In addition to performances of DOPPELGÄNGER, the Danish String Quartet gives over 20 performances throughout North America in the 2021-2022 season. Highlights include debuts at the University of Georgia, Virginia Tech’s Moss Arts Center, Shriver Hall, and Virginia Arts Festival, return trips to Boston’s Celebrity Series, Philadelphia Chamber Music Society, Ensemble Music Society of Indianapolis, Chamber Music Cincinnati, and University of Washington’s Meany Hall, and a tour of Florida. European highlights include tours of Denmark, France, Germany, and Amsterdam.
Prism I, the first disc of this five-album project for the ECM label, was released in September 2018 and garnered a GRAMMY® nomination in the category of Best Chamber Music/Small Ensemble Performance. Prism II was subsequently released in September 2019 to rave reviews including a five-star review from BBC Music Magazine, “Best Classical Music of 2019” from New York Times, and “Classical Music You Must Hear” from Apple Music. Prism III was released in March 2021.
The group takes an active role in reaching new audiences through special projects. In 2007, they established the DSQ Festival, which takes place in an intimate and informal setting at Copenhagen’s Bygningskulturens Hus. In 2016, they inaugurated a new music festival, Series of Four, in which they both perform and invite colleagues—the Ebène Quartet, mandolin player Chris Thile, among others—to appear at the venerable Danish Radio Concert Hall.
The Danish String Quartet has received numerous citations and prizes, including First Prize in the Vagn Holmboe String Quartet Competition and the Charles Hennen International Chamber Music Competition in the Netherlands, as well as the Audience Prize at the Trondheim International String Quartet Competition in 2005. In 2009, the Danish String Quartet won First Prize in the 11th London International String Quartet Competition, now known as the Wigmore Hall International String Quartet competition, and return to the celebrated London concert hall frequently. The Quartet was the awarded the 2010 NORDMETALL-Ensemble Prize at the Mecklenburg-Vorpommern Festival in Germany, and in 2011, they received the Carl Nielsen Prize, the highest cultural honor in Denmark.
Repertoire
Quartet no. 1 "10 preludes"
Quartet no. 3
Adés, Thomas
Quartet no. 1 "Arcadiana"
Quartet no. 5 "Plappergeister"
Kunst der Fuge
Quartet no. 5
Quartet in F, no. 1 Op. 59
Quartet in f, Op. 95
Quartet in Eb, Op. 127
Quartet in Bb, Op. 130
Quartet in a, Op. 132
Quartet in c, no. 1 Op. 51
Quartet in a, no. 2 Op. 51
Quartet in g, Op. 10
Quartet in g, Op. 27
Quartet no. 1 "Métamorphoses Nocturnes"
Quartet in C, no. 2 Op. 20
Quartet in f, no. 5 Op. 20
Quartet in A, no. 6 Op. 20
Quartet in Eb, Op. 33 "The joke"
Quartet in D, Op. 64 "The lark"
Quartet in d, Op. 76 no. 2 "Fifths"
Quartet in C Op. 76 no. 3 "Emperor"
Quartet no. 2 Op. 47
Quartet no. 1 "Kreutzer Sonata"
Quartet no. 1
Strygekvartet no. 1
Quartet in d, KV 421
Quartet in C, KV 465
Fratres
Quartet in f, Op. 80
Quartet no. 1 in g, Op. 13
Quartet no. 2 in f, Op. 5
Quartet no. 3 in Eb, Op. 14
Quartet no. 4 in F, Op. 44
Andante lamentoso, "Ved en ung kunstners båre".
Quartet no. 2 in a, Op. 68
Quartet no. 8, Op. 110
Quartettsatz in c, Posth.
"Borodins Law" for string quartet
Five movements
Italian Serenade
Scandinavian folk music
“What they do know is how to be an exceptional quartet, whatever repertory they play.”
“The Nielsen seldom appears in our concert halls, but proved a brilliant, dramatic work in the Beethovenian tradition, and was projected by these players with vividness and ardour.”
“(…) But the Danish String Quartet was already before the break celebrated at a sound level of a pop concert. No wonder after such a charming performance, which perfectly united joy of music making with artistic severity.”
“The Danish String Quartet distinguish themselves through their specific sound, which is defined by its noble, inspirational and at the same time warm and vibrant sound quality. The broad dynamic variety moves from softly floating to full-bodied high-intensity sounds which always stay connected to the singing impression of euphony.”
“This is a young string quartet — the players are all in their early 30s — and you sense it in the blithe, unsullied optimism of their playing. The opening Allegro movement was delectably nimble in articulation, with an airiness of manner and a playful, witty reaction to Beethoven’s busy rhythms.”
“Whether they are interpreting late Beethoven or a contemporary Scandinavian composer, or playing traditional Nordic folk music, Danish String Quartet has mesmerized audiences worldwide with its flawless intonation, infectious energy, and masterly poise.”
“Its unity was astonishing, an oneness of purpose created by an intense precision of rhythm, matched timbres and ensemble balance. That might sound mechanical, but the group’s ability to merge into a single organism transcended technical issues, permitting us to focus entirely on Janáček’s puzzling but powerful score.”
Performers Danish String Quartet, Sebastian Manz