Viviane Hagner

Violin
Management: Spain - Portugal
Artist

Munich-born violinist Viviane Hagner has won exceptional praise for her highly intelligent musicality and passionate artistry. Since making her international debut at the age of 12, and a year later participating in the legendary ‘joint concert’ of the Israel and Berlin Philharmonics (conducted by Zubin Mehta in Tel Aviv), Hagner has acquired a depth and maturity in her playing that is reflected in her stage presence and assurance.


Appearing with the world’s great orchestras, Hagner’s concerto appearances include the Berlin Philharmonic, Boston Symphony, Chicago Symphony, Cleveland Orchestra, Leipzig Gewandhaus, New York Philharmonic, and the Philharmonia Orchestra, working with conductors such as Ashkenazy, Barenboim, Eschenbach and Salonen as well as a Carnegie Hall appearance with the Orpheus Chamber Orchestra.


This season Hagner is Artist in Residence with the Orchestre National de Bretagne and joins for three orchestral concerts as well as a solo recital at the beautiful Opera de Rennes. She will be performing the Tchaikovsky and Walton Violin Concertos, as well as directing a programme based around Bach and Mendelssohn. Elsewhere she performs Hartmann’s Concerto Funebre on tour in the Netherlands, as well as recitals with Till Fellner including in Geneva and other performances across Germany.


Highlights from last season include the premiere of Christian Jost’s second Concerto for Violin and Orchestra Concerto noir with Orchestre Symphonique Bienne Soleure, and a return to Lammermuir Festival with Till Fellner, with whom her recital partnership continues following previous performances together in Austria Germany and Spain. Joining Karl-Heinz Steffens and the Norrköping Symfoniorkester, Hagner performed Prokofiev’s Violin Concerto No. 1 and in Spain she joined Mozarteum Salzburg and Sinfonia Varsovia on tour. She also continued her project performing Schoenberg’s Verklärte Nacht which introduces a visual element to the piece; with mime artists Bodecker & Neander, she toured Torino, Firenze, and Bologna.


Previous season highlights included performances with the orchestras of Berlin’s Komische Oper under Ainars Rubikis and Prague’s National Opera under Karl-Heinz Steffens as well as the Orquestra de Valencia with Alexander Liebreich. In North America she returned to the National Arts Centre Orchestra Ottawa for performances of Mozart’s Sinfonia Concertante alongside Pinchas Zukerman and a residency in Vancouver performing Unsuk Chin’s Violin Concerto with Otto Tausk as well as chamber music and masterclasses.


As well as bringing insight and virtuosity to the central concerto repertoire, Hagner is an ardent advocate of new, neglected and undiscovered music, championing composers such as Sofia Gubaidulina, Karl Amadeus Hartmann and Witold Lutoslawski. Dedicatee of Unsuk Chin’s Violin Concerto, she gave the world premiere in 2002 with the Deutsches Symphonie-Orchester and Kent Nagano, and has since given performances across Europe, the US and as far afield as Brazil.


A committed chamber musician, Hagner regularly appears in concert halls such as the Amsterdam Concertgebouw, Berlin Konzerthaus, London’s Wigmore Hall, the Palais des Beaux Arts Brussels and the Zurich Tonhalle. Performing at festivals across the world, past invitations include the Ravello Festival, Salzburg Easter Festival and the Lincoln Center’s Mostly Mozart Festival.


Hagner joined the BBC Philharmonic, conducror Christian Karlsen and guitarist Jacob Kellermann to record Tōru Takemitsu’s Spectral Canticle which was released on BIS in May 2023. Elsewhere on disc, the Hyperion label issued Hagner’s performances of Vieuxtemps Violin Concerti 4 & 5, whilst the Canadian company Analekta released her recording of Unsuk Chin’s Violin Concerto with Kent Nagano and the Montreal Symphony Orchestra. Her performance of Christian Jost’s TiefenRausch conducted by the composer with the Essen Philharmonic was released by the Capriccio label to critical acclaim and most recently she has recorded Mendelssohn’s Violin Concerto in D minor with the Dogma Chamber Orchestra for the MDG label.

Hagner dedicates herself to outreach activities for audiences of all ages. She is a founder and Artistic Director of Krzyżowa-Music, an ambitious festival promoting the exchange of ideas and culture whilst allowing young and aspiring musicians the opportunity to rehearse and perform with internationally acclaimed artists. Residing in Berlin where she grew up, she has been Professor at the Mannheim Conservatory of Music and Performing Arts since 2013.

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Repertoire

Béla Bartók

Violin Concerto no. 1 Sz. 36

Violin Concerto no. 2 Sz. 112

Ludwig van Beethoven

Violin Concerto in D major Op. 61

Romance no. 1 in G major Op. 40

Romance no. 2 in F major Op. 50

 

Alban Berg

Violin Concerto

Leonard Bernstein

Serenade

Johannes Brahms

Violin Concerto in D major Op. 77

Benjamin Britten

Violin Concerto in D minor Op. 15

Max Bruch

Violin Concerto no. 1 in G minor Op. 26

Unsuk Chin

Violin Concerto

Antonin Dvořák

Violin Concerto in A minor Op. 53

Aleksandr Glazunov

Violin Concerto in A minor Op. 82

Erich Wolfgang Korngold

Violin Concerto D major Op. 35

Felix Mendelsson

Violin Concerto D major Op. 35

Wolfgang Amadeus Mozart

Violin Concertos no. 1 in B-flat major K. 207

Violin Concertos no. 2 in D major K. 211

Violin Concertos no. 3 in G major K. 216

Violin Concertos no. 4 in D major K. 218

Violin Concertos no. 5 in A major K. 219

Symphony Concertante K. 364

Serguei Prokofiev

Violin Concerto no. 1 in D major Op. 19

Violin Concerto no. 2 in G minor Op. 63

Alfred Schnittke

Violin Concerto no. 4

Robert Schumann

Violin Concerto in D minor WoO 23

Dmitri Shostakovich

Violin Concerto no. 1 in A minor Op. 77

Jean Sibelius

Violin Concerto in D minor Op. 47

Piotr Illich Tchaikovsky

Violin Concerto in D major Op.

Contact

Susana Mazo

Deputy Director

Tour Manager & Production & Artist Manager

M: +34 682 603 495

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Reviews
The New York Times

“Viviane Hagner has a resourceful technique, and her tone is special: vibrant but slightly dark in color, almost plaintive. The color of her sound lends a poignancy to her playing, even in passages where the music is cheerful. In the lamenting slow movement of Mozart’s Sinfonia Concertante, this effect was deeply affecting.”

The Washington Post

“Her rich, burnished tone, crystalline articulation and subtle expression grab attention and leave a lasting impression… A spine-chilling recital, an almost hauntingly masterful display of technique and artistry.”

Sydney Morning Herald

“Viviane Hagner proved to be a mighty soloist, unflinching and resolute as she powered through the most challenging of passages. There was a classic solidity about Hagner’s playing which suited Beethoven’s structured, four square work: she mapped out virtuosic passages with thrilling accuracy, hitting every high note and every chord in an impressive display of virtuosity, impassioned but not passionate.”

BBC Music Magazine

“Violinist Viviane plays with a brilliant richness of tone, emphasized by a very fast vibrato which gives a dark, viola like headiness to the lower strings and real brightness to the upper ones.”

The Independent on Sunday

“Hagner’s performance was technically faultless, musically mature.”

Audiophile Audition

"Su interpretación se vuelve ardiente y llamativa, Hagner trina y corre alcanzando un equilibrio entre poesía - en el segundo tema en Do Mayor - y los fuegos artificiales que le siguen".

Discography
Popular Pieces for Orchestra
Composer
Camille Saint-Saëns, Pablo de Sarasate, Charles Gounod, Frédéric Chopin, Georges Bizet
Label
Krapes
Year
2017

Performers Rundfunkorchester des Südwestfunk Baden-Baden & Klaus Arp

Vieuxtemps: Violin Concertos
Composer
Hneir Vieuxtemps
Label
Hyperion Records Limited
Year
2010

Performers Viviane Hagner, Royal Flemish Philharmonic & Martyn Brabbins

Viviane Hagner ‎– Preisträgerin In Residence
Composer
Antonio Vivaldi, Johann Sebastian Bach
Label
Nordmetall Stiftung
Year
2009
Ciacconna – Vivane Hagner
Composer
Johann Sebastian Bach, Béla Bartók, Karl Amadeus Hartmann
Label
Altara
Year
2006